
plate no. 6113
Lois Mailou Jones, 1951
Recreating this painting will help students develop skills in portraiture, color mixing, and creating texture with visible brushstrokes. It also provides practice in composing a still life within a portrait.
technical profile
approach — 8 steps
Sketch the basic shapes and composition, focusing on proportions and placement of the figure and still life elements.
Establish the background with broad strokes of dark, muted colors.
Block in the main areas of color for the figure's clothing, skin tones, and still life objects.
Begin to refine the facial features, paying attention to light and shadow to create form.
Develop the details of the still life, including the flowers, fruit, and teapot, using a variety of brushstrokes.
Add highlights and shadows to create depth and dimension throughout the painting.
Refine the brushwork, adding texture and interest to the surface.
Add final details and adjust colors as needed to achieve a cohesive and expressive result.
color palette
primary · ultramarine blue · burnt umber · titanium white
secondary · cadmium red · cadmium yellow · viridian
Achieve skin tones by mixing burnt umber, titanium white, and small amounts of cadmium red and yellow. Create the blue of the dress by mixing ultramarine blue with white, and adjust the value with burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor