apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jeune Fille Française
Jeune Fille Française by Lois Mailou Jones

plate no. 6113

Jeune Fille Française

Lois Mailou Jones, 1951

oilExpressionismportraitportraitstill lifefigureflowerstablefruit
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and creating texture with visible brushstrokes. It also provides practice in composing a still life within a portrait.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on proportions and placement of the figure and still life elements.

  2. step 02

    Establish the background with broad strokes of dark, muted colors.

  3. step 03

    Block in the main areas of color for the figure's clothing, skin tones, and still life objects.

  4. step 04

    Begin to refine the facial features, paying attention to light and shadow to create form.

  5. step 05

    Develop the details of the still life, including the flowers, fruit, and teapot, using a variety of brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension throughout the painting.

  7. step 07

    Refine the brushwork, adding texture and interest to the surface.

  8. step 08

    Add final details and adjust colors as needed to achieve a cohesive and expressive result.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · cadmium yellow · viridian

Achieve skin tones by mixing burnt umber, titanium white, and small amounts of cadmium red and yellow. Create the blue of the dress by mixing ultramarine blue with white, and adjust the value with burnt umber.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·impasto
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Losing the expressive quality of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor