apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jardim Botânico
Jardim Botânico by Alberto da Veiga Guignard

plate no. 4358

Jardim Botânico

Alberto da Veiga Guignard, 1937

oilExpressionismlandscapewater liliespondgardenfoliageflowerslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex natural forms into expressive brushstrokes. It's a good exercise in capturing light and reflection on water.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the water lilies, lily pads, and the background foliage.

  2. step 02

    Block in the main color areas: the water, the lily pads, the flowers, and the background.

  3. step 03

    Start adding layers of color to the lily pads, using variations of green and yellow to create depth.

  4. step 04

    Paint the water, using blues, greens, and hints of reflected colors from the surrounding foliage.

  5. step 05

    Add the flowers, starting with the base color and then layering in highlights and shadows.

  6. step 06

    Refine the details of the flowers and lily pads, paying attention to the shapes and textures.

  7. step 07

    Add final touches to the background foliage, using quick, expressive brushstrokes.

  8. step 08

    Adjust the overall color balance and contrast to create a harmonious composition.

color palette

primary · green · white · red · yellow

secondary · blue · brown · ochre

Mix greens by combining blues and yellows, and create variations by adding white, ochre, or brown. Achieve the red hues by mixing primary red with touches of yellow or brown for warmth.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-dry layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Using colors straight from the tube without mixing, leading to a flat and uninteresting palette.
  • →Ignoring the light and shadow, resulting in a lack of depth and dimension.
  • →Not simplifying the complex forms of the water lilies and foliage, making the painting look cluttered.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting rags
  • ·turpentine or mineral spirits
  • ·varnish

Using a medium can help with blending and layering the colors. Consider using a textured canvas to add more visual interest.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor