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home·artworks·Italian Landscape II: Europa
Italian Landscape II: Europa by Ben Shahn

plate no. 4845

Italian Landscape II: Europa

Ben Shahn, 1944

oilExpressionismsymbolic paintingbuildingrubblefigureskycloudslandscape
some experience helpful

This painting provides practice in creating a sense of depth through overlapping forms and understanding color temperature to create light and shadow. Students will also learn to simplify complex forms into geometric shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the building, figure, and main rock formations.

  2. step 02

    Block in the sky with diluted blues and whites, allowing for visible brushstrokes to create cloud texture.

  3. step 03

    Establish the basic colors of the building using a mix of reds, browns, and whites, paying attention to the light source.

  4. step 04

    Begin painting the rubble, using a limited palette of grays, whites, and browns. Focus on defining the planes of each rock with subtle value changes.

  5. step 05

    Add the figure, using dark colors for the clothing and lighter tones for the face and hands.

  6. step 06

    Refine the details of the building, including the windows, architectural details, and the 'Europa' sign.

  7. step 07

    Add final highlights and shadows to the rocks and building to enhance the sense of depth and form.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the colors and values.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · ivory black

Mix various shades of gray by combining white with small amounts of black and umber. Use burnt sienna and white for the warmer tones of the rocks and building, and ultramarine blue with white to create the sky.

techniques

  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·geometric simplification
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear light source.
  • →Not simplifying the complex forms of the rubble.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (for oil paints)
  • ·mineral spirits (for oil paints)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas to allow for texture. Acrylics are more beginner-friendly, but oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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