apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Island Village, Coast of Maine
Island Village, Coast of Maine by Rockwell Kent

plate no. 7189

Island Village, Coast of Maine

Rockwell Kent, 1909

oilAmerican Realismlandscapeislandvillageseaskycloudslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in rendering architectural forms in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the island and village.

  2. step 02

    Block in the large areas of color: sky, sea, island, and foreground.

  3. step 03

    Establish the value structure, paying attention to the light and shadow on the clouds and land.

  4. step 04

    Begin refining the details of the village, using smaller brushes to define the buildings and pathways.

  5. step 05

    Add details to the island, including the texture of the land and the shadows cast by the hills.

  6. step 06

    Refine the sky and sea, blending the colors to create a sense of atmosphere.

  7. step 07

    Add the foreground elements, such as the rocks and trees, paying attention to their texture and detail.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and balanced painting.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · cadmium red light

Mix various shades of blue and white for the sky. Use raw umber and yellow ochre for the land, adding burnt sienna for warmer tones. Create the dark blues of the sea by mixing ultramarine blue with raw umber.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·blocking in
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details in the village too early.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in a flat and unrealistic painting.
  • →Ignoring the subtle variations in color and value in the sky and sea.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Common Work

Common Work

Albrecht Anker

Untitled (Logging Scene)

Untitled (Logging Scene)

Alexander Calder

Mojave Bus Station

Mojave Bus Station

John Register

Restaurant

Restaurant

John Register

Ship in the Bay

Ship in the Bay

Robert Henri

North Greenland Fiord, Gray Day

North Greenland Fiord, Gray Day

Rockwell Kent

Road to Asgaard   Adirondack

Road to Asgaard Adirondack

Rockwell Kent

Todd Shipyard

Todd Shipyard

Alexander Calder