
plate no. 3233
This painting provides a good exercise in color mixing and understanding subtle value changes within a limited palette. Students will learn to create form through smooth blending and careful observation of light and shadow.
technical profile
approach — 8 steps
Sketch the basic shapes of the vase, table, and flower arrangement, paying attention to proportions.
Block in the background with a dark blue, and the table with a muted green-gray.
Establish the basic shapes and values of the lilies with a light yellow, noting where the light hits and where the shadows fall.
Add the green stems and leaves, mixing different shades of green to create depth.
Refine the shapes and values of the lilies, adding highlights and shadows to create form.
Paint the details of the vase, including the subtle variations in color and value.
Add the red details in the center of the lilies.
Make final adjustments to the overall composition, ensuring that the colors and values are balanced.
color palette
primary · yellow ochre · ultramarine blue · titanium white
secondary · sap green · cadmium red
Mix the light yellow for the lilies by combining yellow ochre and titanium white. Create the dark blue background by mixing ultramarine blue with a touch of burnt umber. Achieve the green tones by mixing ultramarine blue and yellow ochre, adjusting the ratio for different shades.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for easier blending. Acrylics will dry faster, while oils allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor