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home·artworks·Interno Di Via Rugabella
Interno Di Via Rugabella by Filippo De Pisis

plate no. 2888

Interno Di Via Rugabella

Filippo De Pisis

oilExpressionisminteriorinteriortablechairwindowstill liferoom
experienced study

Recreating this painting will help students develop skills in loose, expressive brushwork and capturing the overall impression of a scene rather than precise details. It also provides practice in color mixing to achieve subtle variations in tone and temperature.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the table, chair, and window.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Start building up layers of paint, using thicker brushstrokes to define forms and add texture.

  4. step 04

    Focus on capturing the light and shadow patterns, using contrasting values to create depth.

  5. step 05

    Add details to the still life elements on the table, using small brushstrokes and varying colors.

  6. step 06

    Refine the edges and contours of the objects, softening some and sharpening others to create visual interest.

  7. step 07

    Pay attention to the overall atmosphere and mood of the painting, adjusting colors and values as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · red ochre · raw umber · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use glazes of diluted color to create depth and luminosity.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Getting bogged down in details too early.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the overall light and shadow patterns.
  • →Using colors that are too saturated and not harmonizing with the overall color scheme.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (red ochre, raw umber, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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