
plate no. 3131
Jean Cocteau, 1959
This painting helps students develop skills in simplified figure drawing and creating a fresco-like texture with limited color palettes. Students can practice line work and layering washes for depth.
technical profile
approach — 8 steps
Sketch the basic shapes and composition, focusing on the placement of figures and the triangular altar piece.
Lightly block in the main color areas with diluted washes of ochre and blue.
Define the figures with thin lines of burnt umber or a similar dark brown.
Add details to the faces and clothing, using slightly darker shades of the base colors.
Create the blue background using a wet-on-wet technique to blend the colors softly.
Paint the triangular altar piece, paying attention to the linework and the placement of the red dots.
Add final details, such as the wreaths and the objects on the altar.
Apply a thin glaze of diluted ochre to the entire painting to unify the colors and create an aged effect.
color palette
primary · ochre · raw umber · titanium white
secondary · cerulean blue · burnt sienna
Mix ochre with white for lighter skin tones, and add small amounts of raw umber for shadows. Use cerulean blue mixed with white for the background, and add a touch of ochre to warm it up.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use acrylic paints for faster drying time and ease of use. Dilute the paints with water to create washes.
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