apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Intérieur du Cazal, fauteuil rouge
Intérieur du Cazal, fauteuil rouge by Jean Hugo

plate no. 4136

Intérieur du Cazal, fauteuil rouge

Jean Hugo, 1968

oilFauvisminteriorinteriorstill lifefurniturevaseschairtable
some experience helpful

This painting is great for practicing simplification of forms and understanding color relationships in an interior setting. Students will learn to create depth using color and value rather than detailed rendering.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition onto the canvas, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the background and largest shapes like the walls and floor.

  3. step 03

    Define the main objects (chair, table, vases) with their respective colors, keeping the shapes simple.

  4. step 04

    Add details like the bottles on the cabinet, the cloth on the chair, and the plant.

  5. step 05

    Introduce shadows and highlights to create depth and dimension, paying attention to the light source.

  6. step 06

    Refine the edges of the shapes, softening some and sharpening others to create visual interest.

  7. step 07

    Add the small details like the lines on the chair and the design on the wall.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · red · yellow · blue · pink

secondary · brown · green · purple

Mix pink by combining red and white. Create the various shades of brown by mixing red, yellow, and blue in different proportions. Achieve the muted greens by blending yellow and blue with a touch of brown.

techniques

  • ·blocking in
  • ·color mixing
  • ·simplification of forms
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Getting the proportions wrong
  • →Using colors that are too saturated
  • →Ignoring the light source
  • →Not simplifying the shapes enough

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags or paper towels

optional

  • ·Medium (for oil paints)
  • ·Easel
  • ·Reference photo print

Use a limited palette to encourage color mixing and harmony. Consider using a toned canvas to create a more unified background.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Self-Portrait

Self-Portrait

Henri Matisse

Pine Trees on Kerkyra

Pine Trees on Kerkyra

Konstantinos Parthenis