apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·INSPIRED BY HAFEERA PLAIN
INSPIRED BY HAFEERA PLAIN by Rashid Al Khalifa

plate no. 6679

INSPIRED BY HAFEERA PLAIN

Rashid Al Khalifa, 2006

oilExpressionismlandscapelandscapetreesskycloudsbuildingfield
some experience helpful

This painting is a good exercise in capturing atmospheric perspective and using color temperature to create depth. Students will also practice layering and blending techniques to create soft transitions in the sky and foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of the trees and building.

  2. step 02

    Establish the sky with broad strokes, blending blues, whites, and hints of pink/purple near the horizon.

  3. step 03

    Block in the general shapes of the trees with dark greens and browns, leaving space for highlights.

  4. step 04

    Define the foreground with darker greens and blues, creating the rolling hills and shadows.

  5. step 05

    Add highlights to the trees and foreground using lighter greens, yellows, and oranges to suggest sunlight.

  6. step 06

    Paint the distant building with a small brush, using white and light gray.

  7. step 07

    Refine the details of the clouds and foliage, adding texture and variation.

  8. step 08

    Add final touches and adjust values as needed to create depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Mix greens by combining yellow ochre and ultramarine blue. Achieve atmospheric perspective by adding white to colors as they recede into the distance. Use alizarin crimson to create subtle pinks and purples for the sky.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overblending, resulting in a flat image.
  • →Ignoring value contrasts, leading to a lack of depth.
  • →Using too much detail in the background, flattening the perspective.
  • →Not allowing layers to dry properly, creating muddy colors.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor