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home·artworks·Inneres Der Johanneskirche Zu München
Inneres Der Johanneskirche Zu München by Albin Egger-Lienz

plate no. 4816

Inneres Der Johanneskirche Zu München

Albin Egger-Lienz, 1890

canvas, oilExpressionisminteriorinteriorchurchfiguregatearchitecturefloor
some experience helpful

Recreating this painting will help students develop skills in rendering subtle lighting and creating depth using a limited color palette. Students will also practice depicting complex architectural details with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to the perspective of the floor and the placement of the figure.

  2. step 02

    Establish the main color blocks: walls, floor, gate, and figure, using thin washes of color.

  3. step 03

    Build up the color and value in layers, focusing on the light and shadow patterns.

  4. step 04

    Add details to the gate and architectural elements, using small brushstrokes and varying the paint thickness.

  5. step 05

    Refine the figure, paying attention to the pose and the way the light falls on it.

  6. step 06

    Add highlights to create a sense of depth and atmosphere.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of harmony.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black

Mix burnt umber and raw sienna for the warm tones of the walls and floor. Add titanium white to lighten the colors and create highlights. Use ivory black sparingly to create shadows and define details.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details, especially in the gate.
  • →Creating too much contrast, which can flatten the image.
  • →Failing to establish a clear light source.
  • →Not paying attention to the perspective of the floor.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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