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home·artworks·In old Yerevan
In old Yerevan by Martiros Sarian

plate no. 9493

In old Yerevan

Martiros Sarian, 1930

oilExpressionismcityscapecityscapebuildingstreesfiguresmountainsky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex scenes into basic shapes and values. It also provides practice in capturing light and shadow to define forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the buildings, mountain, and tree.

  2. step 02

    Block in the main color areas with thin washes of paint, starting with the sky and mountain.

  3. step 03

    Add the darker values to define the shadows and create depth in the buildings and foreground.

  4. step 04

    Layer in the mid-tones and highlights, paying attention to the light direction and how it affects the colors.

  5. step 05

    Use short, broken brushstrokes to create texture in the trees and foliage.

  6. step 06

    Add details to the buildings, such as windows and architectural features.

  7. step 07

    Paint the figures and animals in the foreground, using simple shapes and colors.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and balanced painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · sap green · violet

Mix white with small amounts of blue and violet for the sky. Use yellow ochre and burnt umber for the buildings, adding touches of red and blue for variation. Mix greens from blue and yellow ochre, and lighten with white.

techniques

  • ·broken color
  • ·layering
  • ·dry brush
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing the paints.
  • →Failing to establish a strong value structure.
  • →Ignoring the light direction and creating inconsistent shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, 6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red oil paint
  • ·sap green oil paint

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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