apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In Bretagne
In Bretagne by Constant Permeke

plate no. 9497

In Bretagne

Constant Permeke, 1951

oilExpressionismcityscapeboatsfiguresharborbuildingswatercityscape
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and using a limited color palette to create a cohesive and expressive artwork. It also encourages experimentation with visible brushstrokes to add texture and interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the boats and figures.

  2. step 02

    Block in the large areas of color using thinned washes of your primary color mix.

  3. step 03

    Gradually build up layers of paint, adding darker values to create depth and form.

  4. step 04

    Use thicker paint and visible brushstrokes to define the details of the boats and buildings.

  5. step 05

    Mix subtle variations of your primary color to create highlights and shadows.

  6. step 06

    Add the blue accent color to the boat, keeping the tones muted.

  7. step 07

    Refine the details and adjust the values as needed to create a sense of atmosphere.

  8. step 08

    Add final touches and highlights to emphasize the focal points.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · ultramarine blue · burnt sienna

Achieve the various shades of yellow and brown by mixing yellow ochre, raw umber, and white in different proportions. Use a small amount of burnt sienna to warm up the browns.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overworking the painting and losing the loose, expressive quality.
  • →Using colors straight from the tube without mixing them.
  • →Failing to establish a clear value structure.
  • →Getting bogged down in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (#4, #6, #8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor