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home·artworks·In a Tokyo Garden
In a Tokyo Garden by George Henry

plate no. 9328

In a Tokyo Garden

George Henry, 1895

oilJaponismgenre paintingfiguresgardenlandscapewatertreesmountain
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering figures in a landscape setting. It also provides practice in capturing the textures of foliage and water with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, mountain, figures, and main landscape elements.

  2. step 02

    Establish the sky and distant mountain using thin washes of blue and white, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the trees and foliage with broad strokes of color, focusing on the overall color harmony.

  4. step 04

    Paint the figures, starting with the underpainting and gradually adding details to their kimonos and faces.

  5. step 05

    Render the water and reflections, using horizontal brushstrokes and subtle color variations.

  6. step 06

    Add details to the foreground, including the path, rocks, and grass, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre · titanium white

secondary · viridian green · alizarin crimson · ivory black

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve the atmospheric perspective by adding white to the blues for the distant mountain and sky.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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