
plate no. 9801
George Henry, 1919
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and textures with subtle color variations.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and torso.
Establish the background color with a thin wash of browns and grays.
Block in the main areas of color for the skin, hair, and clothing, paying attention to the overall value structure.
Refine the facial features, focusing on accurate placement and subtle variations in skin tone.
Develop the details of the clothing, including the lace, beads, and folds of fabric.
Add highlights and shadows to create depth and dimension.
Refine the edges and details throughout the painting, ensuring a cohesive and harmonious composition.
Add final details like the jewelry and subtle highlights in the hair.
color palette
primary · burnt umber · raw sienna · titanium white · cadmium red
secondary · ivory black · ultramarine blue · viridian
Achieve skin tones by mixing white, red, and small amounts of yellow and brown. Use ultramarine and burnt umber to create a range of blacks and grays for the clothing and background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.
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