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home·artworks·Portrait of a Lady in Black
Portrait of a Lady in Black by George Henry

plate no. 9801

Portrait of a Lady in Black

George Henry, 1919

oilImpressionismportraitportraitfiguredresshairjewelryclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and textures with subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and torso.

  2. step 02

    Establish the background color with a thin wash of browns and grays.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing, paying attention to the overall value structure.

  4. step 04

    Refine the facial features, focusing on accurate placement and subtle variations in skin tone.

  5. step 05

    Develop the details of the clothing, including the lace, beads, and folds of fabric.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the edges and details throughout the painting, ensuring a cohesive and harmonious composition.

  8. step 08

    Add final details like the jewelry and subtle highlights in the hair.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · ultramarine blue · viridian

Achieve skin tones by mixing white, red, and small amounts of yellow and brown. Use ultramarine and burnt umber to create a range of blacks and grays for the clothing and background.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the proportions of the figure.
  • →Using colors that are too saturated or intense.
  • →Neglecting the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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