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home·artworks·In a Southern City
In a Southern City by Alfred Heber Hutty

plate no. 9706

In a Southern City

Alfred Heber Hutty

oilRegionalismcityscapecityscapearchitecturetreesstreetarchwayfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle variations, and rendering textures with visible brushstrokes. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the archway, the buildings, the trees, and the road.

  2. step 02

    Establish the basic color blocks for the sky, buildings, and foliage using thin washes.

  3. step 03

    Develop the archway with more detail, focusing on the light and shadow.

  4. step 04

    Add the brick wall, paying attention to the texture and color variations.

  5. step 05

    Refine the trees and foliage, using broken brushstrokes to suggest leaves.

  6. step 06

    Introduce the figures in the distance, keeping them simple and indistinct.

  7. step 07

    Add details to the street and sidewalk, suggesting the texture of the pavement.

  8. step 08

    Adjust the overall values and colors to create a sense of atmosphere and depth.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · ultramarine blue · cadmium yellow light · alizarin crimson

Achieve the muted tones by mixing complementary colors and adding white. Use raw umber and white for the cool grays of the architecture. Mix burnt sienna, yellow ochre, and a touch of alizarin crimson for the brick.

techniques

  • ·broken color
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast
  • →Using colors that are too saturated
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushwork. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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