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I'm Tired by Yasuo Kuniyoshi

plate no. 1592

I'm Tired

Yasuo Kuniyoshi

oilExpressionismportraitfigureportraittablenewspaperscarfindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and conveying mood through subtle color variations and soft blending. It also provides practice in depicting textures like fabric and paper.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, table, and newspaper.

  2. step 02

    Establish the background with broad, blended strokes of blue and green.

  3. step 03

    Block in the main areas of color for the skin tones, dress, and table using thin washes.

  4. step 04

    Gradually build up the values and details in the face, focusing on the subtle transitions of light and shadow.

  5. step 05

    Add the details of the scarf and newspaper, paying attention to the folds and creases.

  6. step 06

    Refine the edges and contours of the figure and objects to create a sense of depth.

  7. step 07

    Add final highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · yellow ochre · raw umber · titanium white · Prussian blue

secondary · cadmium red · viridian green

Mix skin tones using yellow ochre, raw umber, and titanium white, with small amounts of cadmium red for warmth. Create the background by blending Prussian blue and viridian green with white.

techniques

  • ·soft blending
  • ·glazing
  • ·color mixing
  • ·portraiture
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the soft, blended effect.
  • →Using too much paint and creating a heavy, muddy texture.
  • →Failing to capture the subtle nuances of the skin tones.
  • →Ignoring the importance of accurate proportions in the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·retarder medium
  • ·varnish

Use a medium-tooth canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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