
plate no. 5453
Chaim Soutine, 1925
Recreating this painting will help students develop skills in expressive brushwork and understanding how to simplify complex forms into basic shapes. It also encourages exploration of color relationships and creating depth through layering.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the buildings and landscape, focusing on overall composition.
Establish the darkest values with a thin wash of dark green or brown.
Block in the main areas of color using broad brushstrokes, starting with the yellows and greens.
Layer in the mid-tones and highlights, paying attention to the direction of light.
Add details to the buildings, such as windows and doors, using smaller brushes.
Refine the brushwork, adding texture and variation to the surfaces.
Adjust the values and colors to create depth and atmosphere.
Add final details and highlights to emphasize the focal point.
color palette
primary · yellow ochre · sap green · ultramarine blue · titanium white
secondary · burnt sienna · raw umber · cadmium yellow light
Mix greens by combining yellow ochre and ultramarine blue. Create variations in the yellows by adding white or burnt sienna. Use raw umber and ultramarine for dark shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor