apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Houses at Ceret
Houses at Ceret by Chaim Soutine

plate no. 7922

Houses at Ceret

Chaim Soutine, 1920

oil, canvasExpressionismlandscapebuildingstreeslandscapehousesskyvillage
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to convey mood and atmosphere. It also encourages simplification of complex forms into basic shapes and planes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the buildings and landscape.

  2. step 02

    Block in the main areas of color using thin washes.

  3. step 03

    Start building up layers of paint, focusing on the dark areas first.

  4. step 04

    Use thick, expressive brushstrokes to define the forms and create texture.

  5. step 05

    Mix colors directly on the canvas to achieve the desired effects.

  6. step 06

    Add highlights and details to create depth and dimension.

  7. step 07

    Continuously compare your painting to the original, adjusting colors and values as needed.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · yellow ochre · burnt umber · sap green · titanium white

secondary · cadmium red · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue. Browns are achieved by mixing burnt umber with cadmium red and yellow ochre. Use white to lighten values and create highlights.

techniques

  • ·impasto
  • ·broken color
  • ·alla prima
  • ·expressive brushwork
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Not paying attention to the overall color harmony.
  • →Being too timid with the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, burnt umber, sap green, titanium white, cadmium red, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor