apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·House in Dangast (The White House)
House in Dangast (The White House) by Erich Heckel

plate no. 3369

House in Dangast (The White House)

Erich Heckel, 1908

oilExpressionismlandscapehousetreesroadskylandscapebuildings
some experience helpful

Recreating this painting will help students understand color relationships and how to create form with expressive brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the house, road, and surrounding landscape.

  2. step 02

    Block in the main areas of color: blue for the sky, orange for the wall, white for the house, red/orange for the road, and green for the trees.

  3. step 03

    Start adding details with visible brushstrokes, using short, directional strokes to define form.

  4. step 04

    Introduce secondary colors and highlights to create depth and interest.

  5. step 05

    Use darker colors to define edges and shadows.

  6. step 06

    Continuously adjust colors and values to achieve the desired effect.

  7. step 07

    Add final details and refine the composition.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · white · red · blue · orange

secondary · green · yellow · black

Mix various shades of orange by combining red and yellow with small amounts of white or brown. Achieve greens by mixing blue and yellow, and adjust the shade with white or black. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·expressive brushstrokes
  • ·color mixing
  • ·layering

common pitfalls

  • →Overblending colors, which can result in a muddy appearance.
  • →Not varying brushstrokes enough, leading to a flat and uninteresting texture.
  • →Getting bogged down in details too early, before establishing the overall composition and color scheme.
  • →Ignoring the importance of value contrast, which can make the painting appear flat.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints (white, red, blue, orange, green, yellow, black)
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium
  • ·Easel

optional

  • ·Retarder medium
  • ·Varnish

Use good quality paints for best results. Consider using a textured canvas to enhance the brushstroke effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor