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home·artworks·Hibisci En Stokrose
Hibisci En Stokrose by Maggie Laubser

plate no. 5046

Hibisci En Stokrose

Maggie Laubser

oilExpressionismflower paintingflowershibiscusstill lifevasefruittable
some experience helpful

This painting provides practice in capturing the form of flowers and fruit with simplified shapes and visible brushstrokes. Students will learn to mix colors to create a sense of depth and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the flowers, vase, and fruit, paying attention to their relative sizes and positions.

  2. step 02

    Block in the background with a thin layer of yellow-green paint.

  3. step 03

    Establish the dark values of the table top and the shadows within the flowers and fruit.

  4. step 04

    Begin layering in the colors of the flowers, starting with the darker reds and pinks, then adding highlights.

  5. step 05

    Paint the vase with a mix of blues and greens, adding highlights and shadows to give it form.

  6. step 06

    Add the details of the fruit, focusing on capturing its rounded shape and the highlights on its surface.

  7. step 07

    Refine the details of the flowers, adding the stamens and pistils.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and balanced composition.

color palette

primary · cadmium red · titanium white · cadmium yellow

secondary · viridian green · ultramarine blue · alizarin crimson

Mix reds and whites to create the various shades of pink in the hibiscus flowers. Use yellow and blue to create the green background and vase. Add a touch of red to the yellows for the fruit.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Not paying attention to the values and creating a flat, uninteresting composition.
  • →Using colors straight from the tube without mixing them to create subtle variations.
  • →Making the brushstrokes too uniform and losing the sense of texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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