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home·artworks·Here, There and Everywhere Takemitsu
Here, There and Everywhere Takemitsu by Li Chevalier

plate no. 8235

Here, There and Everywhere Takemitsu

Li Chevalier, 2020

inkInk and wash paintingsymbolic paintinglandscapetreesskymountainsabstractink wash
some experience helpful

Recreating this painting will help students develop skills in ink wash techniques, value control, and creating atmospheric perspective using limited colors. It also encourages experimentation with textures and abstract representation of landscapes.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Prepare a toned surface with a light gray wash.

  2. step 02

    Lightly sketch the basic shapes of the mountains and trees.

  3. step 03

    Apply a diluted wash of black ink to the sky area, creating a gradient.

  4. step 04

    Add darker values to the mountain range, building up layers of ink wash.

  5. step 05

    Use a dry brush technique to create texture on the mountains and trees.

  6. step 06

    Create the foreground texture with a combination of washes and dry brush strokes, varying the ink concentration.

  7. step 07

    Add subtle highlights with diluted white ink or lifting ink with a clean brush.

  8. step 08

    Refine details and adjust values to achieve the desired atmospheric effect.

color palette

primary · black ink · white ink

secondary · gray wash

Achieve various shades of gray by diluting black ink with water. Use more water for lighter tones and less for darker tones. White ink can be used sparingly for highlights.

techniques

  • ·ink wash
  • ·dry brush
  • ·value control
  • ·atmospheric perspective
  • ·lifting ink

common pitfalls

  • →Overworking the ink washes, leading to a muddy appearance.
  • →Creating too much contrast too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using too much white ink, resulting in a chalky look.

materials

surface · Watercolor paper or rice paper

required

  • ·Chinese ink or black watercolor
  • ·White ink or white gouache
  • ·Watercolor paper or rice paper
  • ·Soft brushes (various sizes)
  • ·Water container
  • ·Mixing palette
  • ·Paper towels
  • ·Spray bottle

optional

  • ·Palette knife
  • ·Masking fluid
  • ·Easel

Experiment with different types of paper to achieve varied textures. Use high-quality ink for best results.

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