
plate no. 5645
Viorel Marginean, 2007
Recreating this painting will help students develop skills in layering colors, creating textures with broken color, and simplifying complex scenes into abstract shapes. It also encourages experimentation with expressive mark-making.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the mountains and village layout.
Apply a thin wash of light grey or white to the entire canvas as a base.
Block in the main colors of the mountains (greens, yellows, oranges) using loose, broken brushstrokes.
Add details to the mountains, such as trees and rocks, using small dabs of color and varied textures.
Paint the village buildings with simplified shapes and minimal detail, using light grey and white tones.
Add the foreground details, such as the sheep and vegetation, using similar broken brushstrokes and color variations.
Paint the sky with a soft, blended wash of light grey and white.
Add the bird silhouette as a final touch.
color palette
primary · titanium white · yellow ochre · raw umber
secondary · cadmium red · cerulean blue · sap green
Mix various shades of grey by combining white with small amounts of raw umber and blue. Achieve the mountain colors by mixing yellows, oranges, and greens with white to create muted tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Using a textured canvas can enhance the broken color effect. Acrylics will dry faster, while oils allow for more blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor