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home·artworks·Head of an Irishman
Head of an Irishman by Lucian Freud

plate no. 0096

Head of an Irishman

Lucian Freud, 1999

oil, canvasExpressionismportraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop their understanding of color temperature and how to use visible brushstrokes to define form. It's also a good exercise in capturing likeness and expression.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up layers of paint, focusing on the planes of the face and the structure of the features.

  4. step 04

    Use short, directional brushstrokes to define the form and create texture.

  5. step 05

    Pay close attention to the subtle color variations in the skin tones.

  6. step 06

    Refine the details of the eyes, nose, and mouth, capturing the likeness of the subject.

  7. step 07

    Add the details of the clothing and background, maintaining the loose, expressive brushwork.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and compelling portrait.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red light · ultramarine blue

Mix various shades of skin tones using white, yellow ochre, burnt umber, and a touch of red. Use ultramarine blue and burnt umber to create the darks in the clothing and background.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·directional brushstrokes

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless appearance.
  • →Neglecting the subtle color variations in the skin tones.
  • →Losing the structure of the face by focusing too much on details.
  • →Failing to capture the likeness and expression of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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