
plate no. 0928
Yiannis Tsaroychis, 1941
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating subtle variations in value to define form. It also provides practice in capturing a likeness and conveying a sense of personality.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head and shoulders.
Establish the background color with a thin wash of muted tones.
Block in the main areas of skin tone with a mid-value mixture.
Begin to refine the facial features, paying close attention to the placement of the eyes, nose, and mouth.
Add highlights and shadows to sculpt the face and create depth.
Paint the hair, using short, directional brushstrokes to suggest texture.
Add details to the shirt and suspenders, keeping the edges soft.
Refine the overall composition and make any necessary adjustments.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ivory black · cadmium red light · yellow ochre
Skin tones are achieved by mixing burnt umber, raw sienna, and titanium white in varying proportions. Add small amounts of cadmium red for warmth and ivory black for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor