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Head of a Woman by Francis Bacon

plate no. 1147

Head of a Woman

Francis Bacon, 1960

oil, canvasExpressionismportraitportraitfigureheadwomandark background
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create a distorted, emotional portrait. It also focuses on understanding how to create depth and form with limited value contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head and background, focusing on proportions and composition.

  2. step 02

    Apply a thin wash of dark green for the background, gradually building up layers to create depth.

  3. step 03

    Block in the dark areas of the hair and facial features with a dark brown or black.

  4. step 04

    Begin layering in the flesh tones, using a limited palette of reds, whites, and browns.

  5. step 05

    Use expressive brushstrokes to create the distorted features of the face.

  6. step 06

    Soften edges and blend colors to create a sense of depth and atmosphere.

  7. step 07

    Add highlights and details to the face and clothing to create contrast and interest.

  8. step 08

    Refine the overall composition and adjust colors as needed to achieve the desired effect.

color palette

primary · viridian green · titanium white · alizarin crimson · raw umber

secondary · yellow ochre · ivory black

Mix various shades of green by combining viridian green with raw umber and white. Achieve flesh tones by blending alizarin crimson, white, and a touch of yellow ochre. Use raw umber and ivory black to create dark shadows and hair color.

techniques

  • ·scumbling
  • ·dry brushing
  • ·color blending
  • ·layering
  • ·expressive brushwork

common pitfalls

  • →Overworking the painting and losing the expressive quality.
  • →Using too many colors and creating a muddy effect.
  • →Failing to capture the distorted features of the face.
  • →Not paying attention to the subtle value changes in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·palette
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a canvas with a smooth surface to allow for easy blending. Consider using a medium to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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