
plate no. 1147
Francis Bacon, 1960
Recreating this painting will help students develop skills in expressive brushwork and color mixing to create a distorted, emotional portrait. It also focuses on understanding how to create depth and form with limited value contrast.
technical profile
approach — 8 steps
Sketch the basic shapes of the head and background, focusing on proportions and composition.
Apply a thin wash of dark green for the background, gradually building up layers to create depth.
Block in the dark areas of the hair and facial features with a dark brown or black.
Begin layering in the flesh tones, using a limited palette of reds, whites, and browns.
Use expressive brushstrokes to create the distorted features of the face.
Soften edges and blend colors to create a sense of depth and atmosphere.
Add highlights and details to the face and clothing to create contrast and interest.
Refine the overall composition and adjust colors as needed to achieve the desired effect.
color palette
primary · viridian green · titanium white · alizarin crimson · raw umber
secondary · yellow ochre · ivory black
Mix various shades of green by combining viridian green with raw umber and white. Achieve flesh tones by blending alizarin crimson, white, and a touch of yellow ochre. Use raw umber and ivory black to create dark shadows and hair color.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface to allow for easy blending. Consider using a medium to improve the flow of the paint.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor