
plate no. 3623
Francis Bacon, 1958
Recreating this painting will help students develop skills in expressive brushwork and mixing unconventional skin tones. It also encourages a focus on capturing emotion through distortion rather than precise realism.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head and shoulders, paying attention to proportions.
Block in the background with a solid layer of blue paint.
Begin applying the base skin tones using a limited palette of pinks, reds, and whites.
Introduce darker values to define the shadows and contours of the face.
Use expressive brushstrokes to build up texture and create a sense of movement.
Add highlights to the face and clothing to create depth.
Refine the details of the suit and tie, using darker tones for contrast.
Review the overall composition and make any necessary adjustments to balance the colors and values.
color palette
primary · ultramarine blue · titanium white · cadmium red light · raw umber
secondary · yellow ochre · alizarin crimson
Mix various shades of pink by combining red and white, adding small amounts of yellow ochre or raw umber to create warmer or cooler tones. Achieve the blue background by mixing ultramarine blue with white for lighter areas and adding a touch of raw umber for darker areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for texture. Consider using a fast-drying medium to speed up the drying process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor