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home·artworks·He Gained a Fortune but He Gave a Son
He Gained a Fortune but He Gave a Son by C. R. W. Nevinson

plate no. 4302

He Gained a Fortune but He Gave a Son

C. R. W. Nevinson, 1918

oilExpressionismportraitportraitfigureinteriorfireplaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to create depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the background elements.

  2. step 02

    Establish the main areas of color, blocking in the background, clothing, and skin tones with thin washes.

  3. step 03

    Begin to refine the skin tones, paying attention to the subtle variations in color and value.

  4. step 04

    Develop the details of the clothing, including the collar, tie, and jacket, using darker values to create contrast.

  5. step 05

    Work on the background elements, such as the fireplace and the wall, adding details and textures.

  6. step 06

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · viridian

Mix skin tones by blending white, raw umber, and burnt sienna, adding small amounts of red for warmth. Use ivory black and raw umber for the dark clothing, and mix white with a touch of yellow ochre for the lighter vest.

techniques

  • ·portraiture
  • ·scumbling
  • ·glazing
  • ·blending
  • ·value studies

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to establish a strong value structure, resulting in a flat and lifeless painting.
  • →Ignoring the importance of accurate proportions and anatomical details.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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