apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Hayle Towans Beach
Hayle Towans Beach by John Miller

plate no. 2175

Hayle Towans Beach

John Miller

oilContemporary Realismlandscapebeachskycloudsseasand
suitable for beginners

Recreating this painting will help students learn about color mixing to achieve subtle gradients and practice creating a sense of depth through atmospheric perspective. It's also a good exercise in simplifying a landscape into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the horizon line and the basic shapes of the beach and sky.

  2. step 02

    Block in the sky with a light blue, gradually adding white towards the top for a subtle gradient.

  3. step 03

    Paint the sea with a slightly darker blue, blending it into the sky at the horizon.

  4. step 04

    Block in the sand with a base color of yellow ochre, adding darker browns and lighter creams to create the horizontal bands.

  5. step 05

    Add subtle variations in color and value to the sand to suggest texture and depth.

  6. step 06

    Paint the small clouds with a mix of white and a touch of pink or orange.

  7. step 07

    Refine the edges of the clouds and the horizon line.

  8. step 08

    Add final details, such as subtle highlights on the sand and small waves in the sea.

color palette

primary · sky blue · yellow ochre · titanium white

secondary · burnt umber · raw sienna · cadmium orange

Mix sky blue with white for the sky gradient. Use yellow ochre as a base for the sand, adding burnt umber for darker areas and white for highlights. A touch of orange can be added to the clouds for warmth.

techniques

  • ·wet-on-wet blending
  • ·color mixing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the colors, leading to a muddy appearance.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the subtle color variations in the sand and sky.
  • →Making the horizon line too sharp and defined.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 or similar)
  • ·Acrylic or oil paints
  • ·Sky Blue paint
  • ·Yellow Ochre paint
  • ·Burnt Umber paint
  • ·Titanium White paint
  • ·Round brushes (#2, #6)
  • ·Flat brush (#4)

optional

  • ·Palette knife
  • ·Medium (for oil paints)
  • ·Easel

Use a smooth canvas for easier blending. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney