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home·artworks·Hardy Road in November, II
Hardy Road in November, II by John Bratby

plate no. 8824

Hardy Road in November, II

John Bratby, 1963

oilExpressionismcityscapebuildingshouseswindowscityscapechimneyssky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into basic shapes and using expressive brushstrokes to create texture and interest. It also provides practice in color mixing and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and window frame, focusing on proportions and angles.

  2. step 02

    Block in the main color areas for the sky, buildings, and window frame using thin washes.

  3. step 03

    Begin layering thicker paint to define the shapes and add details like windows and chimneys.

  4. step 04

    Use short, directional brushstrokes to create texture and suggest the form of the buildings.

  5. step 05

    Mix and apply colors for the window details, varying the tones to create depth.

  6. step 06

    Add highlights and shadows to enhance the three-dimensional effect.

  7. step 07

    Refine the details and adjust the colors as needed to match the original painting.

  8. step 08

    Add final touches and allow the painting to dry completely.

color palette

primary · titanium white · burnt umber · cadmium red light · yellow ochre

secondary · viridian green · ultramarine blue

Mix various shades of brown by combining burnt umber, yellow ochre, and a touch of red. Create pinks by mixing cadmium red light with titanium white. Achieve greens by mixing yellow ochre and viridian green.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·directional brushstrokes

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Failing to simplify the complex forms of the buildings.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes sizes 2, 4, 6
  • ·flat brushes sizes 4, 8
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or odorless thinner

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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