apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Grey Reshel, Poland
Grey Reshel, Poland by Petros Malayan

plate no. 5341

Grey Reshel, Poland

Petros Malayan, 1991

oilExpressionismcityscapebuildingscityscapetowersarchitectureskystreet
some experience helpful

Recreating this painting will help students develop skills in loose watercolor washes and capturing architectural forms with simplified shapes and values. It also encourages expressive brushwork to convey texture and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective of the buildings.

  2. step 02

    Apply a light wash of diluted grey/blue for the sky and distant areas.

  3. step 03

    Establish the main value masses on the buildings with diluted washes of grey, brown, and yellow.

  4. step 04

    Add darker values to define shadows and architectural details.

  5. step 05

    Use dry brush techniques to create texture on the walls and roofs.

  6. step 06

    Introduce subtle color variations within the washes to add depth.

  7. step 07

    Refine the details of the windows and architectural features.

  8. step 08

    Add final touches and highlights to enhance the overall impression.

color palette

primary · Payne's Grey · Burnt Umber · Yellow Ochre

secondary · Cerulean Blue · Titanium White

Mix Payne's Grey and Burnt Umber for various shades of grey and brown. Use Yellow Ochre to warm up the building surfaces. Dilute colors significantly with water for transparent washes.

techniques

  • ·Wet-on-wet blending
  • ·Dry brush texture
  • ·Layered washes
  • ·Limited palette
  • ·Negative painting

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using colors straight from the tube without proper dilution.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the importance of value contrast in defining form.

materials

surface · Watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints (Payne's Grey, Burnt Umber, Yellow Ochre, Cerulean Blue, Titanium White)
  • ·Round watercolor brushes (various sizes)
  • ·Flat watercolor brush
  • ·Water container
  • ·Palette
  • ·Paper towels
  • ·Pencil

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes and techniques to achieve the desired texture.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor