apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Green Bathtub
Green Bathtub by Elmer Bischoff

plate no. 4243

Green Bathtub

Elmer Bischoff, 1954

oilExpressionismgenre paintingfigurechildbathtubinteriordomestic scenered cloth
some experience helpful

Recreating this painting will help students practice simplifying forms and using a limited color palette to create a cohesive and expressive image. Students will also learn to capture the essence of a scene with loose brushstrokes and minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and composition.

  2. step 02

    Block in the large areas of color, starting with the background and then the figures.

  3. step 03

    Gradually add details and refine the shapes, paying attention to the light and shadow.

  4. step 04

    Mix the skin tones using a limited palette of reds, yellows, and whites.

  5. step 05

    Use visible brushstrokes to create texture and movement.

  6. step 06

    Add the red cloth, focusing on the folds and highlights.

  7. step 07

    Refine the details of the child's face and the bathtub.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive image.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · viridian green · raw sienna

Mix greens by combining yellow ochre and viridian green. Create skin tones by mixing cadmium red, yellow ochre, and titanium white. Use burnt umber to create dark shadows and outlines.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·color mixing
  • ·simplifying forms
  • ·expressive brushwork

common pitfalls

  • →overworking the details
  • →using too many colors
  • →losing the overall composition
  • →making the figures too realistic

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#6 flat brush
  • ·#2 round brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor