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home·artworks·Grandmother and Granddaughter
Grandmother and Granddaughter by Lovis Corinth

plate no. 4168

Grandmother and Granddaughter

Lovis Corinth, 1919

oilExpressionismportraitportraitfiguresgrandmothergranddaughterclothingheadwear
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing likeness with simplified forms. It also provides practice in mixing and applying a limited color palette to create depth and dimension.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures, focusing on their relative positions and sizes.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color, using a limited palette of earth tones and blues.

  3. step 03

    Begin building up the darker values in the clothing and background, using bold, visible brushstrokes.

  4. step 04

    Mix and apply the skin tones, paying attention to the subtle variations in color and value.

  5. step 05

    Define the facial features with careful attention to detail, using smaller brushes and more precise strokes.

  6. step 06

    Add highlights to the hair, clothing, and faces to create a sense of depth and dimension.

  7. step 07

    Refine the edges and details, using a variety of brushstrokes to create texture and interest.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to the values, colors, and details.

color palette

primary · ivory black · titanium white · raw umber

secondary · ultramarine blue · cadmium red light · yellow ochre

Mix skin tones by blending white, raw umber, and a touch of cadmium red light. Use ultramarine blue and black to create the dark tones in the clothing. Add yellow ochre to white for highlights.

techniques

  • ·expressive brushwork
  • ·alla prima
  • ·scumbling
  • ·limited palette
  • ·value blocking

common pitfalls

  • →Overworking the details
  • →Using too many colors
  • →Losing the overall composition
  • →Not establishing a strong value structure

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes size 2, 4, 6
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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