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home·artworks·Girl with still life
Girl with still life by Rafael Zabaleta

plate no. 8444

Girl with still life

Rafael Zabaleta, 1953

oil, canvasExpressionismportraitfigurestill lifeinteriorwindowbirdlandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating texture with visible brushstrokes, and simplifying complex forms into geometric shapes. It also provides practice in capturing the essence of a subject rather than photorealistic detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the figure, table, and window.

  2. step 02

    Block in the main color areas for the background landscape, the interior, and the figure's clothing.

  3. step 03

    Add details to the table and the still life objects (hare, bird, bag), focusing on their shapes and textures.

  4. step 04

    Develop the figure's face and hair, using simple shapes and colors.

  5. step 05

    Refine the details of the window and the surrounding architecture.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Apply final touches and corrections to the overall composition.

  8. step 08

    Let dry and varnish.

color palette

primary · yellow ochre · burnt umber · cerulean blue

secondary · sap green · cadmium red · titanium white

Mix various shades of yellow ochre and burnt umber to create the warm tones of the table and the landscape. Use cerulean blue and white to create the cool tones of the sky and the figure's clothing. Mix small amounts of red and green to create muted browns and grays.

techniques

  • ·blocking in
  • ·layering
  • ·dry brush texture
  • ·simplification of forms
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the simplicity of the original painting.
  • →Failing to capture the correct proportions of the figure and the still life objects.
  • →Using colors that are too bright or saturated.
  • →Not paying attention to the overall composition and balance of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (#2, #6, #10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)
  • ·easel

optional

  • ·retarder medium
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Acrylic paints are easier to clean up, but oil paints offer richer colors and blending capabilities.

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oil painting for beginners →how to learn by studying the masters →
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