
plate no. 5505
George Stefanescu, 1969
This painting is great for practicing expressive brushstrokes and simplifying a portrait into basic shapes and colors. Students will learn to capture a likeness with minimal detail and focus on conveying emotion through color and texture.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, shoulders, and necklace with charcoal.
Apply a thin wash of raw umber or burnt sienna to the background.
Block in the main areas of color: pink for the dress, brown for the hair, and flesh tones for the face.
Use visible brushstrokes to define the contours of the face and clothing.
Add details to the necklace and hair with a smaller brush.
Refine the shadows and highlights to create depth.
Use black paint to define the eyes.
Add final touches and adjust colors as needed.
color palette
primary · raw umber · titanium white · cadmium red light
secondary · black · burnt sienna
Mix pink by combining cadmium red light and titanium white. Create skin tones by mixing raw umber, cadmium red light, and titanium white. Use raw umber thinned with solvent for the initial wash.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for easier blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor