apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Girl with a pink ribbon
Girl with a pink ribbon by Gustave de Smet

plate no. 8669

Girl with a pink ribbon

Gustave de Smet, 1935

oilExpressionismportraitportraitgirlfigureribbondresshair
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into basic shapes and using expressive brushstrokes to create texture and interest. It also provides practice in color mixing to achieve muted and harmonious tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the girl's head, body, and background.

  2. step 02

    Block in the main color areas: skin tones, dress, background, and hair.

  3. step 03

    Refine the shapes of the facial features and add details like the eyes, nose, and mouth.

  4. step 04

    Add the pink ribbon and other small details.

  5. step 05

    Begin adding texture and depth with visible brushstrokes, following the form of the subject.

  6. step 06

    Mix and apply highlights and shadows to create dimension.

  7. step 07

    Add the grid pattern to the dress using thin lines of a lighter color.

  8. step 08

    Adjust colors and values as needed to achieve a cohesive and expressive result.

color palette

primary · burnt umber · ultramarine blue · titanium white · flesh tint

secondary · cadmium yellow · alizarin crimson · payne's gray

Achieve the muted tones by mixing complementary colors and adding white. Use small amounts of yellow and red to create the skin tones, and mix blue and umber for the background.

techniques

  • ·blocking in
  • ·expressive brushstrokes
  • ·color mixing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Using colors that are too bright or saturated.
  • →Not paying attention to the underlying shapes and forms.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·apron

Use a limited palette to simplify color mixing. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor