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home·artworks·Girl Standing on a Balcony
Girl Standing on a Balcony by Carl Holsøe

plate no. 3732

Girl Standing on a Balcony

Carl Holsøe

oilExpressionisminteriorinteriorfigurewindowbalconylightchair
some experience helpful

Recreating this painting will help students develop skills in capturing subtle light and shadow variations, as well as creating atmospheric perspective to convey depth. It also provides practice in painting figures in an interior setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, paying attention to the perspective of the room and the placement of the figure.

  2. step 02

    Establish the overall value structure by blocking in the dark areas first, followed by the mid-tones.

  3. step 03

    Begin layering in the dominant colors, focusing on the greens and whites, and gradually building up the color variations.

  4. step 04

    Pay close attention to the light source and how it affects the colors and values in the scene.

  5. step 05

    Refine the details of the figure, window, and other elements, using smaller brushes and more precise strokes.

  6. step 06

    Add highlights and reflections to create a sense of depth and realism.

  7. step 07

    Soften edges and blend colors where necessary to create a harmonious and atmospheric effect.

  8. step 08

    Step back and assess the painting, making any final adjustments to the composition, color, or value.

color palette

primary · titanium white · viridian green · raw umber

secondary · yellow ochre · ivory black

Achieve the subtle greens by mixing viridian green with white and a touch of yellow ochre. Use raw umber and ivory black to create the darker tones and shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Ignoring the subtle color variations
  • →Creating harsh edges
  • →Failing to establish a strong value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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