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home·artworks·Girl Reading in a Sunlit Room
Girl Reading in a Sunlit Room by Carl Holsøe

plate no. 8167

Girl Reading in a Sunlit Room

Carl Holsøe

oilExpressionismgenre paintingfigureinteriorwindowlightchairreading
some experience helpful

Recreating this painting will help students understand how to capture the effects of light and shadow, and how to suggest form with loose brushstrokes. It also provides practice in capturing the subtle color variations within a limited palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window, and furniture.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Block in the larger shapes of the figure, chair, and window frame.

  4. step 04

    Begin to build up the layers of paint, using broken brushstrokes to suggest texture and form.

  5. step 05

    Pay close attention to the way the light interacts with the curtains and the figure's dress.

  6. step 06

    Refine the details of the face and hands, keeping the brushwork loose and expressive.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Step back and assess the overall effect, making any necessary adjustments.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · burnt sienna · ultramarine blue · sap green

Achieve the subtle variations in light and shadow by mixing white with small amounts of yellow ochre, raw umber, and burnt sienna. Use ultramarine blue and sap green sparingly to create cool shadows and subtle color shifts.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to capture the subtle variations in light and shadow.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the importance of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to thin the paint and speed up drying time.

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