
plate no. 9647
Lucian Freud, 1951
Recreating this painting will help students develop skills in subtle color mixing for skin tones and understanding how light and shadow define form. It also provides practice in capturing likeness and expression.
technical profile
approach — 8 steps
Create a light sketch outlining the basic shapes and proportions of the face and clothing.
Block in the background with a thin layer of neutral gray.
Establish the main shadow shapes on the face using a mix of browns and blues.
Begin layering in lighter skin tones, focusing on subtle color variations.
Paint the hair, paying attention to the direction of the strands and highlights.
Define the features of the face, such as the eyes, nose, and mouth, with careful observation.
Paint the dark dress, using a mix of blacks and browns to create depth.
Add final highlights and details to refine the portrait.
color palette
primary · titanium white · raw umber · burnt sienna · ivory black
secondary · ultramarine blue · yellow ochre · cadmium red light
Mix skin tones by blending white, umber, sienna, and small amounts of red and blue. Use blue and black to create cool shadows. Add yellow ochre for warmer highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.
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