apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Girl Getting Haircut
Girl Getting Haircut by Elmer Bischoff

plate no. 1170

Girl Getting Haircut

Elmer Bischoff, 1962

oilExpressionismgenre paintingfigureinteriormirrorhairreflection
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using a limited palette to create a cohesive mood. It also provides an opportunity to explore expressive brushwork and capturing figures in a loose, painterly style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figures and the mirror.

  2. step 02

    Block in the large areas of color, starting with the darkest tones and working towards the lighter ones.

  3. step 03

    Mix a range of browns and reds for the background and figures, varying the intensity and temperature slightly.

  4. step 04

    Add the lighter values to the figures' clothing and faces, paying attention to the light source.

  5. step 05

    Use thicker paint and more visible brushstrokes to create texture and visual interest.

  6. step 06

    Define the edges of the shapes with darker values, but avoid creating hard lines.

  7. step 07

    Add details to the hair and clothing, using smaller brushes and more controlled strokes.

  8. step 08

    Refine the composition and adjust the values as needed to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue

Mix browns by combining burnt umber and raw sienna. Add white to create lighter tones. Use small amounts of red and blue to adjust the temperature of the browns.

techniques

  • ·blocking in
  • ·expressive brushwork
  • ·limited palette
  • ·color mixing
  • ·simplification

common pitfalls

  • →overworking the painting
  • →getting bogged down in details
  • →using too many colors
  • →creating hard edges

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor