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home·artworks·Girl from Eydtkuhnen II
Girl from Eydtkuhnen II by Helene Schjerfbeck

plate no. 4501

Girl from Eydtkuhnen II

Helene Schjerfbeck, 1927

oilExpressionismportraitportraitfigureleavesabstractwoman
some experience helpful

Recreating this painting will help students develop skills in simplifying forms, using a limited color palette, and creating a sense of depth through layering and subtle value changes. It also encourages expressive brushwork and capturing a mood rather than a realistic likeness.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, leaves, and background.

  2. step 02

    Apply a thin wash of burnt umber as an underpainting for the entire canvas.

  3. step 03

    Block in the main areas of color: skin tones, background, and the blue garment.

  4. step 04

    Refine the facial features, paying attention to the simplified shapes and subtle shading.

  5. step 05

    Add the darker leaf shapes, varying the tone and edges.

  6. step 06

    Develop the geometric shapes of the garment with light blue and cream colors.

  7. step 07

    Introduce subtle variations in the background to create depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · titanium white · light blue

secondary · raw sienna · ivory black · red

Mix skin tones by combining burnt umber, titanium white, and a touch of red. Achieve the light blue by mixing titanium white with a small amount of blue. Vary the background with subtle mixes of burnt umber, raw sienna, and white.

techniques

  • ·dry brushing
  • ·layering
  • ·color mixing
  • ·simplified forms
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the simplified aesthetic.
  • →Using too much color and losing the muted, harmonious palette.
  • →Failing to establish a strong underpainting.
  • →Making the facial features too realistic.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic or oil paints
  • ·burnt umber
  • ·titanium white
  • ·light blue
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·medium (for oil paints)
  • ·easel

Use a canvas with a medium texture to enhance the brushwork. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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