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Girl by Nicolae Tonitza

plate no. 9757

Girl

Nicolae Tonitza

oilExpressionismportraitportraitfigureheadscarfclothingfaceexpressionism
some experience helpful

Recreating this painting will help students practice loose, expressive brushwork and learn how to simplify forms while still capturing the essence of a subject. It's also a good exercise in color mixing and creating a sense of depth with minimal detail.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and headscarf.

  2. step 02

    Block in the main color areas with thin washes of paint, establishing the overall color scheme.

  3. step 03

    Start building up thicker layers of paint, using visible brushstrokes to define the forms and create texture.

  4. step 04

    Mix and apply the skin tones, paying attention to the subtle variations in color and value.

  5. step 05

    Add the details of the headscarf, including the red accents.

  6. step 06

    Refine the background, using loose brushstrokes to create a sense of depth and atmosphere.

  7. step 07

    Add final touches and highlights to bring the painting to life.

  8. step 08

    Step back and make any necessary adjustments to the composition and color balance.

color palette

primary · titanium white · ultramarine blue · cadmium red light · yellow ochre

secondary · alizarin crimson · burnt umber

Mix skin tones by combining white, yellow ochre, and a touch of red. Create variations by adding small amounts of blue or umber. Achieve the blues by mixing ultramarine with white, and adjust the intensity with small amounts of red or yellow.

techniques

  • ·impasto
  • ·broken color
  • ·alla prima
  • ·expressive brushwork
  • ·color temperature

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and losing the overall impression.
  • →Not mixing enough paint and running out mid-stroke.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish

Use a medium-grit canvas to allow for better paint adhesion and texture. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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