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home·artworks·Giotto keeping the goats
Giotto keeping the goats by Leon Bonnat

plate no. 0207

Giotto keeping the goats

Leon Bonnat, 1850

oilAcademicismgenre paintingfiguregoatslandscapehillsskyhat
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly rendering skin tones and anatomy, and in creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and goats.

  2. step 02

    Establish the background landscape with a light wash of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure and goats with simplified color masses.

  4. step 04

    Begin refining the figure's anatomy and skin tones, using subtle color variations to create form.

  5. step 05

    Add details to the goats, including their fur texture and horns.

  6. step 06

    Develop the foreground details, such as the rocks and vegetation.

  7. step 07

    Refine the lighting and shadows throughout the painting.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and white for the sky, gradually lightening the value as you approach the horizon. Mix raw umber and burnt sienna for the goats and foreground elements.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create a convincing sense of depth in the landscape.
  • →Neglecting the subtle color variations in the shadows.
  • →Ignoring the anatomy of the figure and goats.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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