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home·artworks·Ghosts on a Tree
Ghosts on a Tree by Franz Sedlacek

plate no. 1713

Ghosts on a Tree

Franz Sedlacek, 1933

oilExpressionismsymbolic paintingtreefigureslandscapeskyfogmoon
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, value control, and creating a sense of depth using subtle tonal variations. It also provides practice in rendering organic forms like trees and figures in a stylized manner.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the tree's structure and the placement of the figures.

  2. step 02

    Establish the overall value structure by blocking in the dark areas of the tree, figures, and background.

  3. step 03

    Begin layering in the sky and fog, using thin washes of color to create a sense of atmosphere.

  4. step 04

    Refine the details of the tree branches and figures, paying attention to the subtle variations in tone.

  5. step 05

    Add highlights to the moon and any reflective surfaces to create contrast.

  6. step 06

    Blend the edges of the fog and clouds to create a soft, ethereal effect.

  7. step 07

    Add the small trees in the background.

  8. step 08

    Finalize the details and make any necessary adjustments to the overall composition.

color palette

primary · raw umber · ivory black · titanium white

secondary · payne's gray · yellow ochre

Achieve the muted tones by mixing black and white with small amounts of umber and ochre. Use thin washes of these mixtures to create the atmospheric effects.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·tonal blending
  • ·scumbling

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Using too much color, which can detract from the somber mood.
  • →Failing to create a strong sense of depth.
  • →Not paying enough attention to the subtle tonal variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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