apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Gertrude Stein
Gertrude Stein by Francis Picabia

plate no. 1478

Gertrude Stein

Francis Picabia

oil, canvasExpressionismportraitportraitfigurelandscapemountainsdresssky
some experience helpful

Recreating this painting will help students practice simplified portraiture, color mixing for skin tones, and creating depth through layering and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure and landscape with light pencil lines.

  2. step 02

    Block in the background with thin washes of green and yellow, creating a sense of depth for the mountains.

  3. step 03

    Mix skin tones using a limited palette of earth tones and white, and apply to the face, arms, and hands.

  4. step 04

    Paint the dress with broad strokes, focusing on the pattern of stripes and the way it drapes around the figure.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using darker values to create definition.

  6. step 06

    Define the contours of the figure and landscape with dark outlines, adding emphasis and structure.

  7. step 07

    Refine the details of the dress and hands, paying attention to the folds and shadows.

  8. step 08

    Add final touches to the background, such as the small house and the subtle variations in color.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · viridian green · ultramarine blue

Mix skin tones by blending yellow ochre, raw umber, and titanium white. Use viridian green and ultramarine blue to create the cool tones in the background and shadows.

techniques

  • ·blocking in
  • ·dry brushing
  • ·contour drawing
  • ·limited palette
  • ·layering

common pitfalls

  • →Overworking the details, losing the simplicity of the original.
  • →Using too many colors, resulting in a muddy or unnatural look.
  • →Ignoring the proportions of the figure, leading to an inaccurate representation.
  • →Failing to create depth in the background, making the painting appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·ultramarine blue oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor