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home·artworks·George Gershwin
George Gershwin by David Alfaro Siqueiros

plate no. 3313

George Gershwin

David Alfaro Siqueiros

oilExpressionismgenre paintingtheaterpianomusicianaudiencearchitectureperformance
experienced study

Recreating this painting will help students develop skills in perspective, particularly curvilinear perspective, and in creating the illusion of a large crowd using simplified forms and tonal variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the theater, including the curved tiers and the stage area.

  2. step 02

    Lightly sketch the placement of the piano and the figure of the musician.

  3. step 03

    Establish the overall color scheme using a thin wash of burnt umber and raw sienna.

  4. step 04

    Begin blocking in the dark areas of the theater and the piano, gradually building up the values.

  5. step 05

    Add the details of the audience, using small strokes and dots to represent the heads.

  6. step 06

    Work on the lighting, focusing on the light source above the stage and how it illuminates the scene.

  7. step 07

    Refine the details of the piano and the musician, adding highlights and shadows.

  8. step 08

    Add final touches and adjust the overall composition as needed.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red

Achieve the warm, earthy tones by mixing burnt umber and raw sienna in varying proportions. Use yellow ochre and white to create highlights, and a touch of cadmium red to add warmth to the stage area.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·tonal layering
  • ·linear perspective

common pitfalls

  • →Overworking the details of the audience, making it look too busy.
  • →Failing to establish a strong sense of perspective, resulting in a flat composition.
  • →Using colors that are too bright or saturated, which can detract from the overall mood.
  • →Not paying enough attention to the lighting, which is crucial for creating depth and drama.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

A toned canvas (burnt umber wash) can be helpful for establishing the overall color scheme.

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