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home·artworks·Gaspe Pink Sky
Gaspe Pink Sky by Milton Avery

plate no. 8385

Gaspe Pink Sky

Milton Avery, 1940

oilExpressionismlandscapelandscapehillsskybuildingsanimalsfields
some experience helpful

Recreating this painting will help students understand simplified forms and explore color relationships to create a mood. Students will learn to create depth using color and value rather than detailed rendering.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the hills, sky, and buildings, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with a base layer of pink, varying the intensity slightly.

  3. step 03

    Paint the large shapes of the hills with their respective colors (green, red, tan, dark green).

  4. step 04

    Add the water area with a mix of blues and whites, creating subtle wave-like patterns.

  5. step 05

    Paint the small buildings and church with white, adding dark accents for windows and details.

  6. step 06

    Add the small sheep figures with simple dark strokes.

  7. step 07

    Refine the edges of the shapes and add subtle variations in color and texture.

  8. step 08

    Add the fence lines with thin, dark lines.

color palette

primary · pink · green · red · tan

secondary · blue · white · dark brown · black

Achieve the pink sky by mixing white with a touch of red. The greens can be mixed from blues and yellows, with touches of brown for earthiness. The water is a mix of blue, white, and a hint of dark brown.

techniques

  • ·color blocking
  • ·simplified forms
  • ·scumbling
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the simplicity of the shapes.
  • →Making the colors too saturated and not achieving the muted tones.
  • →Not paying attention to the relative sizes and positions of the elements.
  • →Creating harsh lines instead of soft transitions between colors.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints (pink, green, red, tan, blue, white, dark brown, black)
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags

optional

  • ·Painting medium (e.g., linseed oil or acrylic medium)
  • ·Easel
  • ·Apron

Use a limited palette to encourage color mixing and harmony. Consider using a toned canvas to start.

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