apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Friends
Friends by Helene Schjerfbeck

plate no. 2543

Friends

Helene Schjerfbeck, 1942

oilExpressionismportraitfiguresportraitsclothingfaceshairfriendship
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms and using a limited color palette to create a cohesive and expressive portrait. It also encourages experimentation with visible brushstrokes to add texture and interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the two figures, focusing on their relative positions and sizes.

  2. step 02

    Block in the background with a dark, neutral color, leaving some areas slightly lighter to suggest depth.

  3. step 03

    Mix a light blue-gray color and apply it to the clothing of the figure on the left, using loose, visible brushstrokes.

  4. step 04

    Mix a slightly darker blue and apply it to the clothing of the figure on the right, varying the tone slightly to create shadows and highlights.

  5. step 05

    Mix a pale yellow-white color and apply it to the hair of the figure on the left, using short, choppy brushstrokes to suggest texture.

  6. step 06

    Mix a pale white-gray color and apply it to the face of the figure on the right, using subtle variations in tone to create form.

  7. step 07

    Add details to the faces, such as the eyes, nose, and mouth, using a fine brush and a dark color.

  8. step 08

    Refine the overall composition by adjusting the colors and values as needed, and adding any final details.

color palette

primary · ultramarine blue · titanium white · ivory black

secondary · yellow ochre · burnt umber

Mix blues with white to create the various shades for the clothing. Use black and umber sparingly to darken the blues and create shadows. Add a touch of yellow ochre to the white for the hair color.

techniques

  • ·simplified shapes
  • ·limited palette
  • ·visible brushstrokes
  • ·color mixing
  • ·layering

common pitfalls

  • →overworking the details
  • →using too many colors
  • →creating muddy colors
  • →losing the simplicity of the original
  • →inaccurate proportions

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning)

optional

  • ·easel
  • ·painting rags
  • ·apron

Use a canvas with a medium texture to enhance the visibility of the brushstrokes. Acrylics are recommended for beginners due to their faster drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor