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home·artworks·Fragment of a smiling self-portrait at full length, detail
Fragment of a smiling self-portrait at full length, detail by Richard Gerstl

plate no. 4574

Fragment of a smiling self-portrait at full length, detail

Richard Gerstl, 1904

oilExpressionismself-portraitportraitfiguremanfaceclothingself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expression using a limited color palette and visible brushstrokes. It also encourages exploration of value and tonal variations to create depth and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and facial features, paying attention to proportions.

  2. step 02

    Establish the background color with a thin wash of green and brown.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using a limited palette of earth tones.

  4. step 04

    Begin to refine the facial features, focusing on capturing the likeness and expression.

  5. step 05

    Add details to the clothing, such as the collar and tie, using darker values.

  6. step 06

    Develop the brushwork, using short, directional strokes to create texture and form.

  7. step 07

    Pay attention to the edges of the forms, softening some and leaving others more defined.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ivory black · yellow ochre

Mix various shades of skin tones by combining burnt sienna, raw umber, and titanium white. Use ivory black sparingly to create darker shadows. Add a touch of yellow ochre to warm up the skin tones.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·limited palette
  • ·portraiture

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless appearance.
  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Ignoring the subtle variations in value and tone.
  • →Being too heavy-handed with the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a fast-drying medium to speed up the drying time of the oil paint.

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oil painting for beginners →how to learn by studying the masters →
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