apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Forest Cemetery
Forest Cemetery by Ernst Ludwig Kirchner

plate no. 1008

Forest Cemetery

Ernst Ludwig Kirchner, 1933

oilExpressionismlandscapetreeslandscapeforestbuildingsskymountains
suitable for beginners

This painting is great for learning about simplifying complex scenes into basic shapes and using bold outlines to define forms. Students will also practice creating texture with distinct brushstrokes and limited color mixing.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, trees, and buildings, focusing on their relative sizes and positions.

  2. step 02

    Outline all the shapes with a dark color, defining the edges of each element.

  3. step 03

    Fill in the sky with a light blue, keeping the color consistent.

  4. step 04

    Apply the base green color to the ground, using short, choppy brushstrokes to create texture.

  5. step 05

    Paint the trees with varying shades of green and yellow, using similar brushstrokes to the ground.

  6. step 06

    Add the details to the buildings, using a light blue or grey.

  7. step 07

    Introduce darker shades to create shadows and depth within the trees and on the ground.

  8. step 08

    Review and refine the outlines, adding emphasis where needed.

color palette

primary · green · yellow · blue · black

secondary · light blue · grey

Mix different shades of green by combining yellow and blue with varying amounts of black. Use white to lighten the blues and create a sky tone.

techniques

  • ·flat color application
  • ·bold outlining
  • ·dry brush texture
  • ·limited color mixing
  • ·shape simplification

common pitfalls

  • →Over-blending colors, losing the distinct shapes.
  • →Making the outlines too thin and weak.
  • →Adding too much detail, cluttering the composition.
  • →Not varying the brushstrokes enough, resulting in a flat appearance.

materials

surface · stretched canvas

required

  • ·acrylic paints
  • ·canvas or painting paper
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·pencil

optional

  • ·palette knife
  • ·easel
  • ·ruler

Use matte acrylics to mimic the original's flat, graphic style. A larger brush can help create the textured ground.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor