
plate no. 3496
Yasuo Kuniyoshi, 1950
Recreating this painting will help students develop skills in layering colors, creating texture with brushstrokes, and understanding abstract composition. It also encourages exploration of color relationships and symbolic representation.
technical profile
approach — 8 steps
Sketch the basic shapes and composition, focusing on the placement of the figure, watermelon slices, and geometric background.
Block in the large areas of color, starting with the background and then moving to the figure and still life elements.
Begin layering colors to create depth and texture, using visible brushstrokes to add interest.
Pay attention to the color relationships between the different elements, adjusting the hues and values as needed.
Add details to the figure and watermelon slices, such as the eyes and seeds.
Refine the geometric shapes in the background, ensuring they are well-defined and balanced.
Add final touches and highlights to create a sense of depth and dimension.
Step back and assess the overall composition, making any necessary adjustments to ensure a cohesive and balanced artwork.
color palette
primary · red · orange · blue · purple
secondary · yellow · green · white
Achieve the watermelon colors by mixing reds with white and touches of green. The skin is a mix of greens and blues. The figure's skin tone is achieved by mixing white with small amounts of green and blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the brushstroke visibility. Acrylics will dry faster, while oils allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor